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이인식 Insik Lee
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조회: 7,558 작성일: 15-09-07 | ||||||
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작곡가명:이인식은 1963년 서울에서 출생하여 서울예술고등학교(사사: 김정길, 서경선)와 서울대학교 음악대학(사사: 정회갑)을 졸업하고 독일 베를린국립음대(사사: F.M.Olbrisch)에서 전자음악, 음악분석 그리고 현대음악기법 등의 수업을 이수하며 졸업하였다.
서울대 재학시 중앙콩쿠르에 1위에 입상하였고 독일 유학시 DAAD으로부터 장학생으로 선정되기도 한 그는 Internationale Meisterkurs fuer Komposition Brandenburgisches Colloquium fuer Neue Musik에 3회에 걸쳐 참여하고 1992년에는 Internationale Ferienkursen fuer Neue Musik in Darmstadt에 초청 장학생으로 참가하였다.
1994년 귀국 이후 창악회, 범음악제, 전자음악협회 회원으로 작품 활동을 시작하였으며, 전자음악 ‘클라리넷 솔로를 위한 Duo aber allein'은 10회에 가까운 연주를 하였으며 바순을 위한 여러 독주곡을 비롯하여 관현악 작품에 이르는 많은 작품들을 발표하였다. 2008년 이후 매년 개인 작품 발표회를 갖는 등 최근 많이 변화된 그의 작품을 선보이기도 하였다.
2006년부터 2013년까지 창악회 회장으로서 창악회를 이끌었으며 2008년엔 창악회 창립 50주년을 맞이하여 대 규모 기념행사를 치루며 국내 음악계에 작곡가들의 위상을 높여주는 계기를 만들었다. 현재 성신여자대학교 교수로 재직하고 있다.
Born on September 1, 1963 in Seoul, Lee Insik has had opportunities to listen to various classical musics since his birth under the influence of his father who was, then, pastor in a church. He had been inspired by these opportunities and this, during his years in elementary and middle school, helped him to shape and lead the way to his composing career.
In 1979, he entered Seoul High School of Music and Art to further seek and pursue his desire for composing.
During his undergraduate years at Seoul National University, he first encountered the concept of contemporary music and deeply realized that it is an essential genre of music which will convey and sympathize people’s thoughts in our time.
With his promotion to the third year, he became the leader for Electronic Music Study and was also attracted to electronic music. He had learnt conducting form J.Wuller who, by then, stayed in Korea as the chairman for German culture organization (Goethe Institut). He got the first place in Joongang Competition in 1985.
He graduated with his own works, ‘Three Flutes and Piccolo for Analog’ and ‘A Piece for Electronic Taped Music’.
In 1986, he went to Germany to continue his studies in Composition by starting his postgraduate programmes in Hochschule der kunste. Professor F. Martin Olbrisch, who is now in Dresden Hochschule, kindly explained him not only the cultural differences but also resulting differences in expressions and ideas. He also worked in the contemporary music department of the professional contemporary music press, ‘Bote & Bock’.
He came back to Korea in 1994 and has taken part in various works in many societies. The societies include Asian Composer’s League, ISCM (Section of Korea), and Seoul Society of Contemporary Music (SSCM).
In 1998, he became the professor in Sungshin Women’s University and naturally could have more freedom to express his own musical philosophy.
The year 2008 was the turning point for his composing ideology. Since then, he realized that the existing contemporary music has overlooked the significance of commoners’ pleasure of listening to music. Therefore, he decided to compose musics which can sympathize the messages of the music with the commoners.
In 2011, he finally composed his first compilation of Arirang works, ‘Arirang 2011’ and still has a great interest in further developing it.
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진규영 Kyu-yung CHIN |
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김신 Shin Kim |